GHOSTLY ACTS Goes AUDIOBOOK

 

The GHOSTLY ACTS¬†audiobook isn’t an ordinary narrator reading version, it’s EXTRAORDINARY!¬†The multiple award-winning novel is narrated by Tweet Productions in the style of a radio play with music, sound effects and voicing each character differently.

 

The Tweet Productions narrator shares how he produced the GHOSTLY ACTS audiobook:

As for how I decided to produce this book as a play. First and foremost, Melinda, you wrote it like that. MOO — Ele’s mother — is so VERY melodramatic. I think I had the most fun with her lines. I really did. She was so over the top, and when I was narrating the book, I was actually using hand gestures when I got into her character. I would purposely narrate each of her lines two or three times — just to get it right. And then, in the post production process, I upped the tempo a bit plus gave her a treble boost. This is the reason she sounds so “crisp.” This was intentional on my part.

My production efforts spring from the words you wrote, Melinda. If there’s a knock at Ele’s door, you’re going to hear that knock. If Ele is creeping up some creaky stairs, you’re going to be there with her. If she’s dancing onstage to a waltz from an old hand-cranked Victrola, you’re going to hear that. In other words, Melinda, you’re the one that created those elements, not me. I just inserted them. You have a very visual writing style (you would have done well as a TV reporter!) that creates images. That’s what radio is all about and always has been. It’s Theater of the Mind. Ghostly Acts is one big theater act from start to finish. . .those last few chapters took an entire day — ten hours of work — to fully produce.

I can’t say enough about the musicians and composers who are throwing their work online for anyone and everyone to use. They are just amazing. It’s the same thing with people who create sound effects. Although I created many of the effects that are in the book, some were grabbed from one free source or another and modified to fit the novel. The scene where Club Foot, for example, drags his foot across the floor when he smashes through a wall? That’s actually a heart beat sound effect that I modified a great deal to sound like a Club Foot being dragged across the floor. You can create all kinds of magic with digital editing programs. The narration was recorded with a Yeti USB microphone — the first time I’ve used this. Some of the sound effects were also created with the Yeti. Some were created with just an iPhone, but then heavily modified (produced) through the Audacity audio editor.

I think I liked producing the chapter where Ele is dancing with Steven the most. It was so very visual. I even found the “tick-bump-tick” of an old Victrola online. Of course, I used it!

Bill Bird, Tweet Productions

 

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