Posts Tagged ‘Montana’

GHOSTLY ACTS Goes AUDIOBOOK

Wednesday, November 7th, 2018

 

The GHOSTLY ACTS audiobook isn’t an ordinary narrator reading version, it’s EXTRAORDINARY! The multiple award-winning novel is narrated by Tweet Productions in the style of a radio play with music, sound effects and voicing each character differently.

 

The Tweet Productions narrator shares how he produced the GHOSTLY ACTS audiobook:

As for how I decided to produce this book as a play. First and foremost, Melinda, you wrote it like that. MOO — Ele’s mother — is so VERY melodramatic. I think I had the most fun with her lines. I really did. She was so over the top, and when I was narrating the book, I was actually using hand gestures when I got into her character. I would purposely narrate each of her lines two or three times — just to get it right. And then, in the post production process, I upped the tempo a bit plus gave her a treble boost. This is the reason she sounds so “crisp.” This was intentional on my part.

My production efforts spring from the words you wrote, Melinda. If there’s a knock at Ele’s door, you’re going to hear that knock. If Ele is creeping up some creaky stairs, you’re going to be there with her. If she’s dancing onstage to a waltz from an old hand-cranked Victrola, you’re going to hear that. In other words, Melinda, you’re the one that created those elements, not me. I just inserted them. You have a very visual writing style (you would have done well as a TV reporter!) that creates images. That’s what radio is all about and always has been. It’s Theater of the Mind. Ghostly Acts is one big theater act from start to finish. . .those last few chapters took an entire day — ten hours of work — to fully produce.

I can’t say enough about the musicians and composers who are throwing their work online for anyone and everyone to use. They are just amazing. It’s the same thing with people who create sound effects. Although I created many of the effects that are in the book, some were grabbed from one free source or another and modified to fit the novel. The scene where Club Foot, for example, drags his foot across the floor when he smashes through a wall? That’s actually a heart beat sound effect that I modified a great deal to sound like a Club Foot being dragged across the floor. You can create all kinds of magic with digital editing programs. The narration was recorded with a Yeti USB microphone — the first time I’ve used this. Some of the sound effects were also created with the Yeti. Some were created with just an iPhone, but then heavily modified (produced) through the Audacity audio editor.

I think I liked producing the chapter where Ele is dancing with Steven the most. It was so very visual. I even found the “tick-bump-tick” of an old Victrola online. Of course, I used it!

Bill Bird, Tweet Productions

 

The Story Behind the Story

Wednesday, June 6th, 2018

The Story . . .

Ever wondered what a teen queen would do if she were forced to leave her perfect life in Seattle for the ghost capital of Montana where her parents intend to live their dream instead of hers? Ele O’Neill lets everyone feel her pain about living in a haunted theatre without phone or wifi. But a cowboy ghost is determined she behave like a proper young lady until all hell breaks loose and Ele learns first love can be wonderfully thrilling but extremely dangerous, especially with a ghost.

My new book with The Wild Rose Press, GHOSTLY ACTS, a multiple award-winning paranormal YA romantic thriller, is available at fine retailers worldwide in eBook and paperback TODAY June 6, 2018. An audiobook edition is coming soon.

 

Story Behind the Story . . .

Every story I write begins in my dreams, imaginings, and often reflects some facet of my experience. The setting of my story GHOSTLY ACTS was inspired by my husband, who grew up in Montana and whose ancestor rode with the Vigilantes of Virginia City. We visited the Ghost Capitol of Montana where I researched the history of the Vigilantes and the Innocents gang. Story bones began their skeleton dance. But no one interestingly motivated emerged to tell this story.

My son was a successful AP junior in high school, on the swim and water polo teams, worked as a lifeguard and, as a working actor since he was six-years-old, active in school and community drama productions. Mid-year my husband was transferred and we moved to the new job location. My son knew no one at his new school and spent all his free time driving sixty-five miles one way back to his old school and friends. There had to be a better answer to this family problem that would keep our boy off I-5! Our son’s solution was to graduate the new high school with honors a year early and, as a seventeen-year-old, matriculate at Montana State University. A motivated storyteller had emerged . . .

One demand that my son has always had is–don’t put me in your stories. So, to find another storyteller I started the What If Speculations. I didn’t have to look far as my extended family has been blessed with a smart, athletic, kind, talented young woman with megawatt star power. I wondered if such a teen queen suddenly had to move from her kingdom to the Ghost Capitol of Montana so her parents could live their dream, and was without friends,  academic stimulation, family support focus, and in her case, no tennis, how would she act? What would she do especially if there were real ghosts haunting her and her family?

Wow! Did I put Miss Electra (Ele) O’Neill through hell! I’m not sorry and I don’t believe Ele is sorry either. She stepped up with solutions–most unusual ones–to her problems many, except for one: is there any real future in loving a ghost?

It’s all fun!

MMMMMMmmmmmmmmelinda